The Crossings : Defining Slave to the Rhythm
Jeremy J. (University of York) Wells
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Dudley (Professor of Film and Comparative Literature, Yale Uni Andrew
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A Filmmaker’s Guide to Sound Design : Bridging the Gap Between Filmmakers and Technicians to Realize the Storytelling Power of Sound
Matthew (SoundSpace Studio, USA) Polis
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Add to BasketRadiophilia
Dr. Carolyn (Associate Professor of Media Studies, Universit Birdsall
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Add to BasketPerformance Generating Systems in Dance : Dramaturgy, Psychology, and Performativity
Pil (University of Calgary) Hansen
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Add to BasketThe Dead C’s Clyma est mort
Darren (Senior Lecturer, University of Western Australia, A Jorgensen
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Add to BasketMusic : Antiquity and Its Legacy
Dr Eleonora (University of Pavia, Italy) Rocconi
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Add to BasketPlaying & Teaching the Saxophone : A Modern Approach
Allison D. (Associate Professor of Saxophone, Associate Profess Adams
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Add to BasketMusic Theatre and the Holy Roman Empire : The German Musical Stage at the Turn of the Nineteenth Century
Austin (University of Durham) Glatthorn
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Add to BasketMusical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Magic
Richard (University of Hertfordshire, UK) Wiseman
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Add to BasketTell it to the World : The Broadway Musical Abroad
David (Distinguished Professor of Theatre and Performance, Dis Savran
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David Bowie and the Art of Music Video
Dr. Lisa (University of Waikato, New Zealand) Perrott
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Add to BasketSpectacular Listening : Music and Disability in the Digital Age
Byrd (Assistant Director of Student Development, Assistant D McDaniel
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Chinese Emigre Composers and Divergent Modernisms : Chen Yi and Zhou Long
Mia (Curtis Institute of Music) Chung
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Add to BasketThe Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius (University of Warwick) Nicholson
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The Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius (University of Warwick) Nicholson
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Add to BasketCalifornia Gold : Sidney Robertson and the WPA California Folk Music Project
Catherine Hiebert Kerst
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The Exorcist Effect : Horror, Religion, and Demonic Belief
Joseph P. (Associate Professor of Religious Studies, Associat Laycock
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A Guide to Post-classical Narration : The Future of Film Storytelling
Dr. Eleftheria (Aristotle University of Thessaloniki, Greece Thanouli
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Add to BasketTechnology and the Making of Experimental Film Culture
John (Assistant Professor of Film and Media Studies, Assistant Powers
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Add to BasketStreaming Sounds : Musical Listening in the Digital Age
Michael James (University of Canberra, Australia) Walsh
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Add to BasketCreative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas (Norwegian Academy of Music, Oslo) Sonning
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Add to BasketThe Birth of Breaking : Hip-Hop History from the Floor Up
Dr. Serouj "Midus" (University of Illinois, Urbana-Champai Aprahamian
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