From Music to Mathematics : Exploring the Connections
Gareth E. (Associate Professor, College of the Holy Cross) Roberts
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The Art of Partimento : History, Theory, and Practice
Giorgio (Associate Professor of Music Theory, Associate P Sanguinetti
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Music Composition in the 21st Century : A Practical Guide for the New Common Practice
Professor of Composition Robert (University of Hartford, USA) Carl
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Sonic Intimacy : Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos
Malcolm (University of Sussex, UK) James
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Sinister Resonance : The Mediumship of the Listener
David (London College of Communication, UK) Toop
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Modal Counterpoint : Renaissance Style
Peter (Associate Professor in the Faculty of Music, Associat Schubert
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Sonic Possible Worlds, Revised Edition : Hearing the Continuum of Sound
Dr Salome (Professor, London College of Communication, UK) Voegelin
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Wendy Carlos's Switched-On Bach
Roshanak (Associate Professor, University of California, San Kheshti
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Free Jazz, Harmolodics, and Ornette Coleman
Stephen (University of Michigan) Rush
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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Hollywood Harmony : Musical Wonder and the Sound of Cinema
Frank (Assistant Professor of Music, Assistant Professor of Mu Lehman
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Sonic Fiction
Professor Holger (University of Copenhagen, Denmark) Schulze
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Analysing Musical Multimedia
Nicholas (Professor of Music Cambridge University) Cook
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Berg
Bryan R. (Professor Emeritus of Musicology, Professor Emeritus Simms
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Child Composers in the Old Conservatories : How Orphans Became Elite Musicians
Robert O. (Professor of Music, Professor of Music, Northwe Gjerdingen
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Musical Solidarities : Political Action and Music in Late Twentieth-Century Poland
Andrea F. (Assistant Professor of Music, Assistant Professor Bohlman
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Performing Antiquity : Ancient Greek Music and Dance from Paris to Delphi, 1890-1930
Samuel N. (Assistant Professor of Musicology, Assistant Professo Dorf
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Nothing but Noise : Timbre and Musical Meaning at the Edge
Zachary (Assistant Professor of Musicology, Assistant Profes Wallmark
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Listening to War : Sound, Music, Trauma, and Survival in Wartime Iraq
J. Martin (Associate Professor of Ethnomusicology, Associate Daughtry
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Sync or Swarm, Revised Edition : Improvising Music in a Complex Age
Professor or Dr. David (Professor of Music, University of Calif Borgo
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Brian Eno's Ambient 1: Music for Airports
John T. (Professor of Philosophy, Department Chair, Professor Lysaker
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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Music Theory Through Improvisation : A New Approach to Musicianship Training
Ed (University of Michigan, USA) Sarath
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