The Crossings : Defining Slave to the Rhythm
Jeremy J. (University of York) Wells
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Hearing Double : Jazz, Ontology, Auditory Culture
Brian (Associate Professor of Music and Film and Media Studies, Kane
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Remembering Musical Childhoods in Vietnam : 1931-1975
Tina A. Huynh
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Theoretische und methodologische Aspekte der Kunsterziehung
Martyniuk A K
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Aspects th?oriques et m?thodologiques de l'?ducation artistique
Martyniuk A K
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Aspectos te?ricos e metodol?gicos da educa??o art?stica
Martyniuk A K
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Radiophilia
Dr. Carolyn (Associate Professor of Media Studies, Universit Birdsall
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Voices of Vietnam : A Century of Radio, Red Music, and Revolution
Lonan (Associate Professor of Music, Associate Professor of O Briain
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The Oxford Handbook of Music Composition Pedagogy
Michele (Professor of Music and Director of Music Teacher Edu Kaschub
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Women in American Operas of the 1950s : Undoing Gendered Archetypes
Professor Monica A. Hershberger
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Swinglines : Rhythm, Timing, and Polymeter in Musical Phrasing
Fernando (Professor of Music, Professor of Music, American Un Benadon
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Finding the Beat : Entrainment, Rhythmic Play, and Social Meaning in Rock Music
Nathan (Professor of Ethnomusicology, University of British Hesselink
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The Dead C’s Clyma est mort
Darren (Senior Lecturer, University of Western Australia, A Jorgensen
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Music : Antiquity and Its Legacy
Dr Eleonora (University of Pavia, Italy) Rocconi
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Playing & Teaching the Saxophone : A Modern Approach
Allison D. (Associate Professor of Saxophone, Associate Profess Adams
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Add to BasketPhantasmagoria of the Uncanny : Nomadism, Technique, and Aesthetics in the Psychedelic Rave
Leandros, University of Athens Kyriakopoulos
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Entertainment, Pleasure, and Meaning in Early England
Martha (University of Oregon) Bayless
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Beethoven's Symphonies Arranged for the Chamber : Sociability, Reception, and Canon Formation
Nancy (University of Auckland) November
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Music Theatre and the Holy Roman Empire : The German Musical Stage at the Turn of the Nineteenth Century
Austin (University of Durham) Glatthorn
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Brassroots Democracy : Maroon Ecologies and the Jazz Commons
Benjamin (University of Pittsburgh) Barson
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J. S. Bach : The Organ Works
George B. (Dean of the Mason Gross School of the Arts and Pr Stauffer
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