Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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The Performance of Law : Everyday Lawyering at the Intersection of Advocacy and Imagination
Randy (Texas A&M University, USA.) Gordon
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History on Film/Film on History
Robert A. Rosenstone
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Add to BasketTheatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Captain America and the American Journey, 1940-2022
Richard A. Hall
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Add to BasketThe Pocket Lawyer for Filmmakers : A Legal Toolkit for Independent Producers
Esq., Thomas A. (Lawyer, USA) Crowell
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Add to BasketAbraham Lincoln and Women in Film : One Hundred Years of Hollywood Mythmaking
Frank J. Wetta
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Through the Lens, Brightly : Women in Cinema, Women at Work
Shoma A Chatterji
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The Dirty South : Exploring a Fantasized Region, 1970-2020
James A. Crank
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The Gilmore Girls Companion (Hardback)
A S Berman
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Add to BasketThe Objects of Affection : Semiotics and Consumer Culture
A. Berger
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Mise en Scene and Film Style : From Classical Hollywood to New Media Art
A. Martin
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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And the Mirror Cracked : Feminist Cinema and Film Theory
A. Smelik
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Add to BasketPicturing the Primitive : Visual Culture, Ethnography, and Early German Cinema
A. Oksiloff
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Screening Schillebeeckx : Theology and Third Cinema in Dialogue
A. Sison
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Representation and Identity from Versailles to the Present : The Performing Subject
A. Sikes
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Commerce in Culture : States and Markets in the World Film Trade
A. Flibbert
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Media Parasites in the Early Avant-Garde : On the Abuse of Technology and Communication
A. Niebisch
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Contemporary Asylum Narratives : Representing Refugees in the Twenty-First Century
A. Woolley
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