Fandom, Authenticity, and Opera : Mad Acts and Letter Scenes in Fin-de-Siecle Russia
A. Fishzon
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Picturing the Primitive : Visual Culture, Ethnography, and Early German Cinema
A. Oksiloff
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Media Parasites in the Early Avant-Garde : On the Abuse of Technology and Communication
A. Niebisch
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Contemporary Asylum Narratives : Representing Refugees in the Twenty-First Century
A. Woolley
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Contemporary Asylum Narratives : Representing Refugees in the Twenty-First Century
A. Woolley
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Girlfriends and Postfeminist Sisterhood
A. Winch
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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Screen Hustles, Grifts and Stings : Stings, Grifts, Hustles and the Long Con
A. Sargeant
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Educational Institutions in Horror Film : A History of Mad Professors, Student Bodies, and Final Exams
A. Grunzke
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And the Mirror Cracked : Feminist Cinema and Film Theory
A. Smelik
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Vaudeville Wars : How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and Its Performers
A. Wertheim
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Screening Schillebeeckx : Theology and Third Cinema in Dialogue
A. Sison
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Representation and Identity from Versailles to the Present : The Performing Subject
A. Sikes
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Commerce in Culture : States and Markets in the World Film Trade
A. Flibbert
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Fandom, Authenticity, and Opera : Mad Acts and Letter Scenes in Fin-de-Siecle Russia
A. Fishzon
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Contemporary Asylum Narratives : Representing Refugees in the Twenty-First Century
A. Woolley
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Avant-Garde Theatre Sound : Staging Sonic Modernity
A. Curtin
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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£39.05
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Interfacing with the Internet in Popular Cinema
A. Tucker
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Educational Institutions in Horror Film : A History of Mad Professors, Student Bodies, and Final Exams
A. Grunzke
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