Reception and Renewal in Modern Spanish Theatre : 1939-1963
John London
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Theatre in the Expanded Field : Seven Approaches to Performance
Alan (King's College London, London) Read
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Applied Drama : The Gift of Theatre
Helen (Royal Holloway, University of London, UK) Nicholson
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The Theatre of Societas Raffaello Sanzio
Joe Kelleher
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Applied Theatre: Women and the Criminal Justice System
Dr. Caoimhe (Queen Mary University of London, London) McAvinchey
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Applied Theatre: Women and the Criminal Justice System
Dr. Caoimhe (Queen Mary University of London, London) McAvinchey
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Performing Endurance : Art and Politics since 1960
Lara (King's College London) Shalson
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Applied Theatre: Aesthetics
Gareth (Central School of Speech and Drama, University of Londo White
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Directors/Directing : Conversations on Theatre
Maria (Goldsmiths, University of London) Shevtsova
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Inside the Royal Shakespeare Company : Creativity and the Institution
Colin (Kingston University, London, UK) Chambers
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Stage Fright, Animals, and Other Theatrical Problems
Nicholas (Queen Mary University of London) Ridout
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Training the Actor's Body : A Guide
Dick (Royal Holloway, University of London, UK) McCaw
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Theatre Studios : A Political History of Ensemble Theatre-Making
Tom (University of London) Cornford
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Theatre Studios : A Political History of Ensemble Theatre-Making
Tom (University of London) Cornford
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Romantic Comedy
Prof. Trevor R. (London) Griffiths
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The Theatre Guide : A Comprehensive A-Z of the World's Best Plays and Playwrights
Prof. Trevor R. (London) Griffiths
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The Myth of Rome in Shakespeare and his Contemporaries
Warren (University of London) Chernaik
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Add to BasketThe French Actress and her English Audience
John (King's College London) Stokes
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The Cambridge Companion to the Actress
John (King's College London) Stokes
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The Passions in Play : Thyestes and the Dynamics of Senecan Drama
Alessandro (King's College London) Schiesaro
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The French Actress and her English Audience
John (King's College London) Stokes
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The Cambridge Companion to the Actress
John (King's College London) Stokes
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Theatre Studios : A Political History of Ensemble Theatre-Making
Tom (University of London) Cornford
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