American Disaster Movies of the 1970s : Crisis, Spectacle and Modernity
Dr. Scott (University of Lincoln, UK) Freer
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The Drive-In : Outdoor Cinema in 1950s America and the Popular Imagination
Dr Guy (University of Leicester, UK) Barefoot
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The Science Fiction Film in Contemporary Hollywood : A Social Semiotics of Bodies and Worlds
Evdokia (Aristotle University of Thessaloniki, Greece) Stefanopoulou
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The Science Fiction Film in Contemporary Hollywood : A Social Semiotics of Bodies and Worlds
Evdokia (Aristotle University of Thessaloniki, Greece) Stefanopoulou
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The Lost Decade : Altman, Coppola, Friedkin and the Hollywood Renaissance Auteur in the 1980s
Dr. Chris (University of Leicester, UK) Horn
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Prosthetic Agency : Literature, Culture and Masculinity after World War II
Gill (University of St Andrews, Scotland) Plain
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Technology and the Making of Experimental Film Culture
John (Assistant Professor of Film and Media Studies, Assistant Powers
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Judicial Uses of Images : Vision in Decision
Prof Peter (Professor of Law and Director of the Programme i Goodrich
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Disabled People Transforming Media Culture for a More Inclusive World
Beth A. (Towson University, Maryland, USA) Haller
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A Critical History of Health Films in Central and Eastern Europe and Beyond
Victoria Shmidt
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An Atonal Cinema : Resistance, Counterpoint and Dialogue in Transnational Palestine
Robert G. (Kingston, University of London, UK) White
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Intertextuality 2.0 : Metadiscourse and Meaning-Making in an Online Community
Cynthia (Associate Professor, Associate Professor, Department Gordon
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Powell and Pressburger's War : The Art of Propaganda, 1939-1946
Semenza Greg M. Colon Semenza
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Powell and Pressburger's War : The Art of Propaganda, 1939-1946
Semenza Greg M. Colon Semenza
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How Journalists Engage : A Theory of Trust Building, Identities, and Care
Sue (Helen Firstbrook Franklin Professor of Journalism, Hele Robinson
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£64.00
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The First Film Makers
Richard Dyer MacCann
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The Stars Appear
Richard Dyer MacCann
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£53.00
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