Music Criticism in Nineteenth-Century France : La Revue et gazette musicale de Paris 1834-80
Katharine (Royal Holloway, University of London) Ellis
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Hugo Wolf and the Wagnerian Inheritance
Amanda (Royal Academy of Music, London) Glauert
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Pop Music and Hip Ennui : A Sonic Fiction of Capitalist Realism
Macon (Goldsmiths, University of London, UK) Holt
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Musical Authorship from Schutz to Bach
Stephen (Royal Holloway, University of London) Rose
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The Mozart-Da Ponte Operas : The Cultural and Musical Background to Le Nozze di Figaro, Don Giovanni, and Cosi fan tutte
Andrew (Reader in Psychology, Reader in Psychology, Universit Steptoe
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Jewry in Music : Entry to the Profession from the Enlightenment to Richard Wagner
David (Honorary Research Fellow, University College London) Conway
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Music, Branding and Consumer Culture in Church : Hillsong in Focus
Tom (Royal Holloway, University of London, UK) Wagner
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Sonic Bodies : Reggae Sound Systems, Performance Techniques, and Ways of Knowing
Professor Julian (Goldsmiths, University of London, UK) Henriques
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Careful the Spell You Cast : How Stephen Sondheim Extended the Range of the American Musical
Dr. Ben (Goldsmiths, University of London, UK) Francis
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Indian Music and the West
Gerry (Lecturer in Music, Lecturer in Music, City University, Farrell
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The Quilting Points of Musical Modernism : Revolution, Reaction, and William Walton
J. P. E. (Royal Holloway, University of London) Harper-Scott
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Ideology in Britten's Operas
J. P. E. (Royal Holloway, University of London) Harper-Scott
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Add to BasketThe Social and Applied Psychology of Music
Adrian (Professor of Psychology, School of Life Sciences, Herio North
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Add to BasketBlackstar Theory : The Last Works of David Bowie
Dr. Leah (Senior Lecturer in Music, Kingston University London Kardos
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The Music of Brahms
Michael (Reader in Music, Reader in Music, Goldsmiths' Colle Musgrave
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Olivier Messiaen's Catalogue d'oiseaux : From Conception to Performance
Roderick (Royal Academy of Music, London) Chadwick
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Making Hip Hop Theatre : Beatbox and Elements
Dr Katie (University of the Arts London, UK) Beswick
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The Historical Performance of Music : An Introduction
Colin (Goldsmiths College, University of London) Lawson
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Composing for Voice : Exploring Voice, Language and Music
Paul (Royal Central School of Speech and Drama, University of Barker
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British Musical Theatre since 1950
Robert (Professor of Theatre and Performance at Goldsmiths, Un Gordon
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Music, Markets and Consumption
Daragh (Lecturer in Marketing, Management School, University O'Reilly
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