Supporting Staged Intimacy : A Practical Guide for Theatre Creatives, Managers, and Crew
Alexis Black
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Psychology for Actors : Theories and Practices for the Acting Process
Kevin Page
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Act as a Feminist : Towards a Critical Acting Pedagogy
Lisa Peck
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Theatre Masks Out Side In : Perspectives on Mask History, Design, Construction, and Performance
Wendy J. Meaden
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Training Actors' Voices : Towards an Intercultural/Interdisciplinary Approach
Tara McAllister-Viel
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Acting: Make It Your Business : How to Avoid Mistakes and Achieve Success as a Working Actor
Paul Russell
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Voice
Jane (Central School of Speech and Drama, London, UK) Boston
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Michael Chekhov and Sanford Meisner : Collisions and Convergence in Actor Training
Anjalee Deshpande Hutchinson
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Owning Our Voices : Vocal Discovery in the Wolfsohn-Hart Tradition
Margaret Pikes
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The Moon Rises from the Ganges : My journey through Asian acting techniques
Eugenio Barba
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Starting a Theatre Company : How to Become a Theatre Maker and Create Your Own Work
Karl Falconer
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Your Body Knows : A Movement Guide for Actors
PhD, Meade Andrews
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Mime into Physical Theatre: A UK Cultural History 1970–2000
Mark Evans
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Phenomenology for Actors : Theatre-Making and the Question of Being
Daniel Johnston
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Mysticism in the Theater : What’s Needed Right Now
Tom Block
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Aesthetic Collectives : On the Nature of Collectivity in Cultural Performance
Andrew Wiskowski
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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The Professional Actor's Handbook : From Casting Call to Curtain Call
Julio Agustin
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Celebrity Bromances : Constructing, Interpreting and Utilising Personas
Celia Lam
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Borderlands Children’s Theatre : Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
Cecilia Josephine Aragon
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Commedia dell’Arte for the 21st Century : Practice and Performance in the Asia-Pacific
Corinna (University of South Australia, Australia) Di Niro
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From Playtext to Performance on the Early Modern Stage : How Did They Do It?
Leslie Thomson
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