Celebrity Bromances : Constructing, Interpreting and Utilising Personas
Celia Lam
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Borderlands Children’s Theatre : Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
Cecilia Josephine Aragon
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Commedia dell’Arte for the 21st Century : Practice and Performance in the Asia-Pacific
Corinna (University of South Australia, Australia) Di Niro
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Dramaturgy of Sex on Stage in Contemporary Theatre
Kate Mulley
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Mysticism in the Theater : What’s Needed Right Now
Tom Block
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Aesthetic Collectives : On the Nature of Collectivity in Cultural Performance
Andrew Wiskowski
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Strasberg's Method As Taught by Lorrie Hull : A Practical Guide for Actors, Teachers, Directors
S Loraine Hull
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Acting and Directing Shakespeare's Comedies : Key Lessons
Kevin Otos
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Shakespeare’s Contested Nations : Race, Gender, and Multicultural Britain in Performances of the History Plays
L. Monique Pittman
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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Bourdieu in the Studio : Decolonising and Decentering Actor Training Through Ludic Activism
Evi Stamatiou
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Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Futures of Performance : The Responsibilities of Performing Arts in Higher Education
Karen Schupp
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures : The Dialogue with European Theater in the Years 1961–1975
Monica Cristini
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Improvisation the Michael Chekhov Way : Active Exploration of Acting Techniques
Wil Kilroy
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Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers
Rafael Lopez-Barrantes
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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An Actor Survives : Remarks on Stanislavsky
Tomasz Kubikowski
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