Teaching Practical Theatrical 3D Printing : Creating Props for Production
Robert C. Berls
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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The 'Female' Dancer : a soma-scientific approach
Claire Farmer
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101+ Tips and Tricks Every Prop Maker Should Know
Ben Hohman
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Into Abolitionist Theatre : A Guidebook for Liberatory Theatre-making
Rivka Eckert
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Cultural Leadership in Practice : Beyond Arts Management and Cultural Policy
Steven Hadley
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Critical Acting Pedagogy : Intersectional Approaches
Lisa Peck
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Writing Choreography : Textualities of and beyond Dance
Leena Rouhiainen
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Performing the Nonhuman : Towards a Theatre of Transformation
Conrad Alexandrowicz
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The Radical Act of Listening: Making Documentary and Investigative Theatre
KJ Sanchez
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To Repair the World : Zelda Fichandler and the Transformation of American Theater
Mary B. Robinson
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Living the Dream : Building a Sustainable Career in the Performing Arts
Kirstin Chavez
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DreamWork: A Training for Directors
David (Tel Aviv University, Israel) Zinder
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A Beginner's Guide to Special Makeup Effects, Volume 2 : Revenge of the Prosthetics
Christopher Payne
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Recreating Historic Dress : Clothing Gems from the Hereford Museum Clothing Collection, with Patterns
Nancy E. Hills
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Memory : Shaping Connections in the Arts Therapies
Marian Cao
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Understanding Human Life through Psychoanalysis and Ancient Greek Tragedy : Explorations of Euripides, Sophocles and Aeschylus
Sotiris Manolopoulos
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Staging Revolutions and the Many Faces of Modernism : Performing Politics in Irish and Egyptian Theatre
Amina ElHalawani
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Performance Making : a pedagogy for precarious times
Anna Furse
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Social Capacity Building through Applied Theatre : Developing Imagination, Emotional and Reflective Skills in the Human Services
Au (Hong Kong Drama/Theatre and Education Forum) Yi-Man
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The Art of Entertainment : Popular Performance in Modern British Art, 1880 to 1940
Jason Price
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Forests and Fences
Myer (Wits University, South Africa) Taub
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Negotiating Copyright in the American Theatre: 1856–1951
Brent S. Salter
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