Joan Crawford in Film Noir : The Actress as Auteur
David Meuel
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Hollywood Sex Comedies, 1953-1964 : A Critical Analysis of 25 Films
Hal Erickson
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Avant-Doc : Intersections of Documentary and Avant-Garde Cinema
Scott MacDonald
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Masks in Horror Cinema : Eyes Without Faces
Alexandra Heller-Nicholas
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Screen Distribution and the New King Kongs of the Online World
Stuart Cunningham
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The Legal Thriller from Gardner to Grisham : See you in Court!
Lars Ole Sauerberg
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Slapstick and Comic Performance : Comedy and Pain
L. Peacock
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A Companion to the Historical Film
Robert A. Rosenstone
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Japanese Horror Films and their American Remakes
Valerie Wee
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Music in Epic Film : Listening to Spectacle
Stephen Meyer
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Projecting Politics : Political Messages in American Films
Elizabeth Haas
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Projecting Politics : Political Messages in American Films
Elizabeth Haas
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Queer European Cinema : Queering Cinematic Time and Space
Leanne Dawson
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New Blood : Critical Approaches to Contemporary Horror
Eddie Falvey
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Blumhouse Productions : The New House of Horror
Todd K. Platts
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The Black Irish Onscreen : Representing Black and Mixed-Race Identities on Irish Film and Television
Zelie Asava
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Corporate Wrongdoing on Film : The ‘Public Be Damned’
Kenneth (Professor at Wilfrid Laurier Univ., Canada) Dowler
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Les Ann?es 80 : Publicit?s cin?ma dans les journaux du Qu?bec
Sv Bell
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Infectious Inequalities : Epidemics, Trust, and Social Vulnerabilities in Cinema
Qijun Han
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Terror Down Under : A History of Horror Film in Australia, 1897-1973
Daniel Best
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Thinking Past ‘Post-9/11’ : Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films
Jayana (University of Munster, Germany) Jain
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