Storytelling for Film and Television : From First Word to Last Frame
Ken Dancyger
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Glitch Art in Theory and Practice : Critical Failures and Post-Digital Aesthetics
Michael Betancourt
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The Technique of Film and Video Editing : History, Theory, and Practice
Ken Dancyger
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The Technique of Film and Video Editing : History, Theory, and Practice
Ken Dancyger
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Glitch Art in Theory and Practice : Critical Failures and Post-Digital Aesthetics
Michael Betancourt
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Alternative Scriptwriting : Contemporary Storytelling for the Screen
Ken Dancyger
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Alternative Scriptwriting : Contemporary Storytelling for the Screen
Ken Dancyger
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Ideologies of the Real in Title Sequences, Motion Graphics and Cinema
Michael Betancourt
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Ideologies of the Real in Title Sequences, Motion Graphics and Cinema
Michael Betancourt
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Typography and Motion Graphics: The 'Reading-Image'
Michael Betancourt
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Typography and Motion Graphics: The 'Reading-Image'
Michael Betancourt
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Cinematic Articulation in Motion Graphics
Michael Betancourt
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Cinematic Articulation in Motion Graphics
Michael Betancourt
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The Death of Cinema : History, Cultural Memory and the Digital Dark Age
Paolo Cherchi Usai
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The Death of Cinema : History, Cultural Memory and the Digital Dark Age
Paolo Cherchi Usai
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The Griffith Project, The Volume 7 : Films Produced in 1913
Paolo Cherchi Usai
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The Griffith Project, The Volume 7 : Films Produced in 1913
Paolo Cherchi Usai
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The Griffith Project, Volume 1 : Films Produced in 1907-1908
Paolo Cherchi Usai
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The Griffith Project, Volume 1 : Films Produced in 1907-1908
Paolo Cherchi Usai
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The Griffith Project, Volume 10 : Films Produced 1919-1946
Paolo Cherchi Usai
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Storytelling for Film and Television : From First Word to Last Frame
Ken Dancyger
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Synchronization and Title Sequences : Audio-Visual Semiosis in Motion Graphics
Michael Betancourt
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Synchronization and Title Sequences : Audio-Visual Semiosis in Motion Graphics
Michael Betancourt
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Semiotics and Title Sequences : Text-Image Composites in Motion Graphics
Michael Betancourt
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