Relevance and Text-on-Screen in Audiovisual Translation : The Pragmatics of Creative Subtitling
Ryoko (Dublin City University, Ireland) Sasamoto
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Relevance and Text-on-Screen in Audiovisual Translation : The Pragmatics of Creative Subtitling
Ryoko (Dublin City University, Ireland) Sasamoto
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Production Management for TV and Film : The Professional's Guide
Linda Stradling
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CONFLICT - The Insiders' Guide to Storytelling in Factual/Reality TV & Film
Robert Thirkell
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Greenlit: Developing Factual/Reality TV Ideas from Concept to Pitch
Nicola Lees
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After Effects Apprentice : Real-World Skills for the Aspiring Motion Graphics Artist
Chris (Co-Founder of Crish Design (formerly CyberMotion), Sandi Meyer
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Greenlit: Developing Factual TV Ideas from Concept to Pitch : The Professional Guide to Pitching Factual Shows
Nicola Lees
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Give Me the Money and I'll Shoot! : Finance Your Factual Tv/Film Project
Nicola Lees
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TV Outside the Box : Trailblazing in the Digital Television Revolution
Neil Landau
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Fascination : Viewer Friendly TV Journalism
Nancy Holm
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Routledge Library Editions: Broadcasting
Various
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Studio Television Production and Directing : Concepts, Equipment, and Procedures
Andrew Hicks Utterback
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Studio Television Production and Directing : Concepts, Equipment, and Procedures
Andrew Hicks Utterback
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Drawing the Line : Technical Hand Drafting for Film and Television
David McHenry
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Television: The Director's Viewpoint
John W. Ravage
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Television: The Director's Viewpoint
John W. Ravage
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Factual Television Producing : A Hands On Approach From Concept to Delivery
Dylan Weiss
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Factual Television Producing : A Hands On Approach From Concept to Delivery
Dylan Weiss
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The Flexible Method : Prepare To Prosper In The Next Global Crisis
James Burstall
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Production Management for TV and Film : The Professional's Guide
Linda Stradling
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CONFLICT - The Insiders' Guide to Storytelling in Factual/Reality TV & Film
Robert Thirkell
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Television Field Production and Reporting : A Guide to Visual Storytelling
Fred (Colorado State University, Fort Collins, USA) Shook
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