Robert Schumann: Piano Concerto
Julian (University of Durham) Horton
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Hensel: String Quartet in E flat
Benedict (University of Edinburgh) Taylor
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Modern German Music : Recollections and Criticisms
Henry Fothergill Chorley
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Musical Record and Review, Issues 420-431; issues 468-485
Anonymous
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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The Sound of the English Picturesque : Georgian Vocal Music, Haydn, and Landscape Aesthetics
Stephen Groves
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Orchestra Management in Practice
Salvino A. Salvaggio
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Friedrich Chopin Als Mensch Und Als Musiker, erster Band.
Frederick Niecks
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The Cambridge Companion to Amy Beach
E. Douglas (Elizabethtown College, Pennsylvania) Bomberger
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New York : A Symphonic Study, In Three Parts, Parts 1-3
Fay Peirce
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Opera Ad Philosophiam Criticam : Latine Vertit Fredericus Gottlob Born; Volume 4
Immanuel Kant
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Baroque Counterpoint : Revised and Expanded Edition
Christoph Neidhofer
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Expanding the Music Theory Canon : Inclusive Examples for Analysis from the Common Practice Period
Paula Maust
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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The Sound of the English Picturesque : Georgian Vocal Music, Haydn, and Landscape Aesthetics
Stephen Groves
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The Sound of the English Picturesque : Georgian Vocal Music, Haydn, and Landscape Aesthetics
Stephen Groves
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Bach's St. John Passion for the Twenty-First Century : Musical and Theological Perspectives
Michael Fuchs
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