Changing the Score : Arias, Prima Donnas, and the Authority of Performance
Hilary Poriss
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Orchestrating the Nation : The Nineteenth-Century American Symphonic Enterprise
Douglas Shadle
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Discoveries from the Fortepiano : A Manual for Beginning and Seasoned Performers
Donna Louise Gunn
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Analytical Essays on Music by Women Composers: Concert Music, 1960-2000
Laurel Parsons
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The Entrepreneurial Muse : Inspiring Your Career in Classical Music
Jeffrey Nytch
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In the Process of Becoming : Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music
Janet Schmalfeldt
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In the Process of Becoming : Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music
Janet Schmalfeldt
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Music and Belonging Between Revolution and Restoration
Naomi Waltham-Smith
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The Oxford Handbook of Faust in Music
Lorna Fitzsimmons
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Bewitching Russian Opera : The Tsarina from State to Stage
Inna Naroditskaya
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Bewitching Russian Opera : The Tsarina from State to Stage
Inna Naroditskaya
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The Cantatas of J. S. Bach : With their librettos in German-English parallel text
Alfred Durr
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Roots of the Classical : The Popular Origins of Western Music
Peter Van der Merwe
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Musical Works and Performances : A Philosophical Exploration
Stephen Davies
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Classical and Romantic Performing Practice 1750-1900
Clive Brown
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The Wind and Wind-Chorus Music of Anton Bruckner
Kinder Keith Kinder
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Dangerous Melodies : Classical Music in America from the Great War through the Cold War
Jonathan Rosenberg
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Dvorak's Prophecy : And the Vexed Fate of Black Classical Music
Joseph Horowitz
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Vincenzo Bellini and the Aesthetics of Early Nineteenth-Century Italian Opera
Simon Maguire
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Vincenzo Bellini and the Aesthetics of Early Nineteenth-Century Italian Opera
Simon Maguire
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The Seven Concertos of Beethoven
Antony Hopkins
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