Mozart's Requiem : Reception, Work, Completion
Simon P. Keefe
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Beethoven : The Philosophy of Music
Theodor W. Adorno
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Musically Sublime : Indeterminacy, Infinity, Irresolvability
Kiene Brillenburg Wurth
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Orientalism, Masquerade and Mozart's Turkish Music
Matthew Head
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Characteristic Symphony in the Age of Haydn and Beethoven
Richard Will
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Three Modes of Perception in Mozart : The Philosophical, Pastoral, and Comic in Cosi fan tutte
Edmund J. Goehring
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Bach's Numbers : Compositional Proportion and Significance
Ruth Tatlow
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Bach's Numbers : Compositional Proportion and Significance
Ruth Tatlow
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Orchestral Masterpieces under the Microscope
Jonathan Del Mar
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Beethoven's Cello: Five Revolutionary Sonatas and Their World
Marc D. Moskovitz
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Pierre Boulez: Organised Delirium
Caroline Potter
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Pierre Boulez: Organised Delirium
Caroline Potter
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The Creation of Beethoven's Nine Symphonies
Barry A.R. Cooper
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Beethoven's Ninth Symphony : Rehearsing and Performing its 1824 Premiere
Theodore Albrecht
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Beethoven's Ninth Symphony : Rehearsing and Performing its 1824 Premiere
Theodore Albrecht
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Orchestra Management in Practice
Salvino A. Salvaggio
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Orchestra Management in Practice
Salvino A. Salvaggio
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's 'Comus'
Colin Timms
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's 'Comus'
Colin Timms
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