Richard D’Oyly Carte
Paul Seeley
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The Cambridge Companion to Operetta
Anastasia (University of Leeds) Belina
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Otello (Othello)
Giuseppe Verdi
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Wagner and Tolkien : Mythmakers
Renee Vink
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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Cultural Tourism and Cantonese Opera
Jian Ming (City University of Macau, China) Luo
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Rape at the Opera : Staging Sexual Violence
Margaret Cormier
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Staging Voice
Michal Grover-Friedlander
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Martin Crimp’s Power Plays : Intertextuality, Sexuality, Desire
Vicky Angelaki
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Opera Cinema : A New Cultural Experience
Joseph (Kings College London, UK) Attard
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Gracchus : A Tragic Opera in Three Acts
David Hughes
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Wagner e il buddismo, insieme al suo plagio in Wagner e il nirvana
Urs App
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Picture a day like this (text for music)
George Benjamin
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Add to BasketGuide Through The Music Of R. Wagner's 'the Ring Of The Nibelung', Tr. By E. Von Wolzogen
Hans Paul Wolzogen (Freiherr Von )
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A Book of Operas : Their Histories, Their Plots, and Their Music
Henry Edward Krehbiel
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Memoirs of Madame Malibran, by the Countess De Merlin and Other Friends. With a Selection From Her Correspondence
Maria Las Mercedes de Merlin
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