Do I Bark Like a Dog? : How an Italian Family History Shaped a Boy in London
Michael Volpe
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Said on Opera
Edward (c/o The Wylie Agency) Said
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Bill Viola : Love/Death - The Tristan Project
Peter Sellars
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Callas: Images of a Legend
Attila Csampai
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Seeing Through : A Chronicle of Sex, Drugs, and Opera
Ricky Ian Gordon
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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The World Got Away : A Memoir
Mikel Rouse
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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The Cambridge Stravinsky Encyclopedia
Edward (University of Aberdeen) Campbell
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(How) Opera Works, (Hoe) opera werkt : Pierre Audi Lectures, Pierre Audi lezingen
Liesbeth Kruyt
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Wagnerism : Art and Politics in the Shadow of Music
Alex Ross
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A History of Opera : The Last Four Hundred Years
Carolyn Abbate
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My World
Luciano Pavarotti
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