Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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Bill Viola : Love/Death - The Tristan Project
Peter Sellars
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Callas: Images of a Legend
Attila Csampai
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Picture a Day Like This (full score)
George Benjamin
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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The Cambridge Stravinsky Encyclopedia
Edward (University of Aberdeen) Campbell
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