Audience Experience and Contemporary Classical Music : Negotiating the Experimental and the Accessible in a High Art Subculture
Gina Emerson
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Fanny Hensel : A Research and Information Guide
Laura Stokes
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The Routledge Research Companion to Johann Sebastian Bach
Robin Leaver
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Gyorgy Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque
Peter Edwards
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Music and the Exotic from the Renaissance to Mozart
Ralph P. Locke
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The Singing of the Strasbourg Protestants, 1523-1541
Daniel Trocme-Latter
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The Quest for the Melodic Electric Bass : From Jamerson to Spenner
Per Elias Drablos
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The Performing Style of Alexander Scriabin
Anatole Leikin
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The Mystery of Chopin's Preludes
Anatole Leikin
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The Routledge Research Companion to Modernism in Music
Bjorn Heile
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Studies in Historical Improvisation : From Cantare super Librum to Partimenti
Massimiliano Guido
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Postopera: Reinventing the Voice-Body
Jelena Novak
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Musical Theatre, Realism and Entertainment
Millie Taylor
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Music Theory in Mamluk Cairo : The gayat al-matlub fi ‘ilm al-adwar wa-’l-durub by Ibn Kurr
Owen Wright
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Music Theory in Mamluk Cairo : The gayat al-matlub fi ‘ilm al-adwar wa-’l-durub by Ibn Kurr
Owen Wright
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Music of the Soviet Era: 1917-1991
Levon Hakobian
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Messiaen Perspectives 2: Techniques, Influence and Reception
Robert Fallon
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Masque and Opera in England, 1656-1688
Andrew Walkling
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Loading the Silence: Australian Sound Art in the Post-Digital Age
Linda Ioanna Kouvaras
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