Complete History of Guitar World : 30 Years of Music, Magic and Six-String Mayhem
Editors of Guitar World magazine
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Spaces of Women's Cinema : Space, Place and Genre in Contemporary Women’s Filmmaking
Sue (University of Sussex) Thornham
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Film and Television in Education : An Aesthetic Approach to the Moving Image
Robert (School of Management, UMIST) Watson
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Hollywood Soundscapes : Film Sound Style, Craft and Production in the Classical Era
Helen (University of Exeter, UK) Hanson
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Hollywood Soundscapes : Film Sound Style, Craft and Production in the Classical Era
Helen (University of Exeter, UK) Hanson
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Magic Realism, World Cinema, and the Avant-Garde
Felicity (University of Exeter, UK) Gee
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Magic Realism, World Cinema, and the Avant-Garde
Felicity (University of Exeter, UK) Gee
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Transorientalism in Art, Fashion, and Film : Inventions of Identity
Adam (University of Sydney, Australia) Geczy
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Transorientalism in Art, Fashion, and Film : Inventions of Identity
Adam (University of Sydney, Australia) Geczy
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Tacitean Visual Narrative
Philip (University of Arizona, USA) Waddell
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Tacitean Visual Narrative
Philip (University of Arizona, USA) Waddell
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Blockbusters and the Ancient World : Allegory and Warfare in Contemporary Hollywood
Chris (University of Exeter, UK) Davies
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Blockbusters and the Ancient World : Allegory and Warfare in Contemporary Hollywood
Chris (University of Exeter, UK) Davies
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Fathers on Film : Paternity and Masculinity in 1990s Hollywood
Katie (University of Chester, UK) Barnett
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Fathers on Film : Paternity and Masculinity in 1990s Hollywood
Katie (University of Chester, UK) Barnett
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The Art of Caregiving in Fiction, Film, and Memoir
Jeffrey (University of Albany, USA) Berman
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The Art of Caregiving in Fiction, Film, and Memoir
Jeffrey (University of Albany, USA) Berman
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Ecology Documentaries : Their Function and Value Seen Through the Lens of Doughnut Economics
Susan (University of Exeter, UK) Hayward
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Ecology Documentaries : Their Function and Value Seen Through the Lens of Doughnut Economics
Susan (University of Exeter, UK) Hayward
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Cinematic Digital Television : Negotiating the Nexus of Production, Reception and Aesthetics
Chris (University of Wollongong, Australia) Comerford
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Cinematic Digital Television : Negotiating the Nexus of Production, Reception and Aesthetics
Chris (University of Wollongong, Australia) Comerford
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British Cinema in Documents
Sarah (University of Bristol, UK) Street
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British Cinema in Documents
Sarah (University of Bristol, UK) Street
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Kathakali Dance-Drama : Where Gods and Demons Come to Play
Phillip (University of Exeter, UK) Zarrilli
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