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Dream Sequences in Shakespeare : A Psychoanalytic Perspective
Meg Harris Williams
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Dream Sequences in Shakespeare : A Psychoanalytic Perspective
Meg Harris Williams
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The Self-Centred Art : Ben Jonson's Parts in Performance
Jakub Boguszak
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The Self-Centred Art : Ben Jonson's Parts in Performance
Jakub Boguszak
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Shakespeare's Sublime Pathos : Person, Audience, Language
Jonathan P. A. Sell
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Shakespeare's Sublime Pathos : Person, Audience, Language
Jonathan P. A. Sell
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Shakespearean Drama, Disability, and the Filmic Stare
Grace McCarthy
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Shakespearean Drama, Disability, and the Filmic Stare
Grace McCarthy
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Poetic Images, Presence, and the Theater of Kenotic Rituals
Eniko Sepsi
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Poetic Images, Presence, and the Theater of Kenotic Rituals
Eniko Sepsi
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Inclusivity and Equality in Performance Training : Teaching and Learning for Neuro and Physical Diversity
Petronilla Whitfield
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Inclusivity and Equality in Performance Training : Teaching and Learning for Neuro and Physical Diversity
Petronilla Whitfield
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Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
Mark Monday
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Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
Mark Monday
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Contemporary Australian Playwriting : Re-visioning the Nation on the Mainstage
Chris (Flinders University, Australia) Hay
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