Shakespeare's Sublime Pathos : Person, Audience, Language
Jonathan P. A. Sell
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Shakespearean Drama, Disability, and the Filmic Stare
Grace McCarthy
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Shakespearean Drama, Disability, and the Filmic Stare
Grace McCarthy
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Poetic Images, Presence, and the Theater of Kenotic Rituals
Eniko Sepsi
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Poetic Images, Presence, and the Theater of Kenotic Rituals
Eniko Sepsi
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Inclusivity and Equality in Performance Training : Teaching and Learning for Neuro and Physical Diversity
Petronilla Whitfield
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Inclusivity and Equality in Performance Training : Teaching and Learning for Neuro and Physical Diversity
Petronilla Whitfield
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Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
Mark Monday
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Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
Mark Monday
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Contemporary Australian Playwriting : Re-visioning the Nation on the Mainstage
Chris (Flinders University, Australia) Hay
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Contemporary Australian Playwriting : Re-visioning the Nation on the Mainstage
Chris (Flinders University, Australia) Hay
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Playgrounds : Urban Theatrical Culture in Shakespeare’s England and Golden Age Spain
David J. Amelang
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Playgrounds : Urban Theatrical Culture in Shakespeare’s England and Golden Age Spain
David J. Amelang
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Lessons from Shakespeare’s Classroom : Empowering Learning Through Drama and Rhetoric
Robin Lithgow
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Lessons from Shakespeare’s Classroom : Empowering Learning Through Drama and Rhetoric
Robin Lithgow
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Acting and Directing Shakespeare's Comedies : Key Lessons
Kevin Otos
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Acting and Directing Shakespeare's Comedies : Key Lessons
Kevin Otos
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Building Embodiment : Integrating Acting, Voice, and Movement to Illuminate Poetic Text
Baron, Ph.D. Kelly
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Building Embodiment : Integrating Acting, Voice, and Movement to Illuminate Poetic Text
Baron, Ph.D. Kelly
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Tales from Shakespeare : Creative Collisions
Graham (University of Hertfordshire) Holderness
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Alternative Shakespeares : Volume 3
Diana E. (MIT, Massachusetts, USA) Henderson
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Local Shakespeares : Proximations and Power
Martin Orkin
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Local Shakespeares : Proximations and Power
Martin Orkin
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Talking to the Audience : Shakespeare, Performance, Self
Bridget (Queen Mary, University of London, UK) Escolme
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