Balanchine and Kirstein's American Enterprise
James (Director of Individual Gifts, Director of Individual Steichen
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Improvisation and Inventio in the Performance of Medieval Music : A Practical Approach
Angela (Associate Professor of Musicology, Associate Professo Mariani
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Flexible Bodies : British South Asian Dancers in an Age of Neoliberalism
Anusha (Associate Professor of Critical Dance Studies, Associa Kedhar
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Ballet in the Cold War : A Soviet-American Exchange
Anne (Assistant Professor of Music History, Assistant Professo Searcy
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Dance and Activism : A Century of Radical Dance Across the World
Dana (University of Oxford, UK) Mills
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Kathakali Dance-Drama : Where Gods and Demons Come to Play
Phillip (University of Exeter, UK) Zarrilli
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Kathakali Dance-Drama : Where Gods and Demons Come to Play
Phillip (University of Exeter, UK) Zarrilli
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Theory/Theatre : An Introduction
Mark (University of Guelph, Canada) Fortier
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English Court Theatre, 1558-1642
John H. (University of Toronto) Astington
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Dance Me a Song : Astaire, Balanchine, Kelly and the American Film Musical
Beth (Associate Professor of Dance, School of Music, Theatre an Genne
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Anna Halprin
Libby (Royal Holloway, University of London, UK) Worth
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Anna Halprin
Libby (Royal Holloway, University of London, UK) Worth
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A History of Buto
Bruce (Associate Professor of East Asian Languages and Cultures Baird
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Astaire by Numbers : Time & the Straight White Male Dancer
Todd (Paul Tietjens Professor of Music, Paul Tietjens Professo Decker
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Consuming Dance : Choreography and Advertising
Colleen T. (Professor of Dance, Professor of Dance, Californi Dunagen
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Martha Graham in Love and War : The Life in the Work
Mark (Professor and Coordinator of Graduate Programs, Dance, P Franko
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Honest Bodies : Revolutionary Modernism in the Dances of Anna Sokolow
Hannah (Visiting Assitant Professor of Dance, Visiting Assit Kosstrin
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Jasmin Vardimon's Dance Theatre : Movement, memory and metaphor
Libby (Royal Holloway, University of London, UK) Worth
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When Words Are Inadequate : Modern Dance and Transnationalism in China
Nan (Assistant Professor of East Asian Studies, Assistant Professo Ma
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Choreographing in Color : Filipinos, Hip-Hop, and the Cultural Politics of Euphemism
J. Lorenzo (Assistant Professor of Theatre and Dance, Assista Perillo
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Dancing in the Blood : Modern Dance and European Culture on the Eve of the First World War
Edward Ross (University of California, Davis) Dickinson
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Literature and Dance in Nineteenth-Century Britain : Jane Austen to the New Woman
Cheryl A. (Indiana University of Pennsylvania) Wilson
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Performance, Memory, and Processions in Ancient Rome : The Pompa Circensis from the Late Republic to Late Antiquity
Jacob A. (University of Tennessee, Knoxville) Latham
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Performing in Comedy : A Student's Guide
Ian (University of London Institute for Education) Wilkie
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