Screen Hustles, Grifts and Stings : Stings, Grifts, Hustles and the Long Con
A. Sargeant
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Educational Institutions in Horror Film : A History of Mad Professors, Student Bodies, and Final Exams
A. Grunzke
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Screening Schillebeeckx : Theology and Third Cinema in Dialogue
A. Sison
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Representation and Identity from Versailles to the Present : The Performing Subject
A. Sikes
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Commerce in Culture : States and Markets in the World Film Trade
A. Flibbert
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Screening the Unwatchable : Spaces of Negation in Post-Millennial Art Cinema
A. Gronstad
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Contemporary Asylum Narratives : Representing Refugees in the Twenty-First Century
A. Woolley
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Avant-Garde Theatre Sound : Staging Sonic Modernity
A. Curtin
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Interfacing with the Internet in Popular Cinema
A. Tucker
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Educational Institutions in Horror Film : A History of Mad Professors, Student Bodies, and Final Exams
A. Grunzke
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Screening Schillebeeckx : Theology and Third Cinema in Dialogue
A. Sison
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Commerce in Culture : States and Markets in the World Film Trade
A. Flibbert
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Le Cin ma de la Femme Au Maroc (1980-2005)
Qorchi-A
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Structure Juridique Et Gouvernance Des Soci t s Familiales Cot es
Zeiliger-A
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Projected Art History : Biopics, Celebrity Culture, and the Popularizing of American Art
Doris (Academy Museum in Los Angeles, USA) Berger
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Translation, Globalization and Younger Audiences : The Situation in Poland
Michał Borodo
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Uneasy Dreams : The Golden Age of British Horror Films, 1956-1976
Gary A. Smith
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The Mutiny on H.M.S. Bounty : A Guide to Nonfiction, Fiction, Poetry, Films, Articles, and Music
Donald A. Maxton
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