Pina Bausch
Royd (The New School for Liberal Arts, New York, USA) Climenhaga
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Said on Opera
Edward (c/o The Wylie Agency) Said
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
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Making Hip Hop Theatre : Beatbox and Elements
Dr Katie (University of the Arts London, UK) Beswick
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Archival Storytelling : A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Sheila Curran (University at Albany, State University of New Bernard
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Dance Education : A Redefinition
Dr Susan R. (Clinical Associate Professor and Director of the Da Koff
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Creative Jazz Improvisation
Scott (The City College of the City University of New York, US Reeves
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Video Production Handbook
Jim (Dean of the School of Communication Arts at Asbury Univers Owens
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Somatic Movement Dance Therapy : The Healing Art of Self-regulation and Co-regulation
Amanda (The Centre for Bio-Somatic Dance Movement Therapy Williamson
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Psychology of Music : From Sound to Significance
Siu-Lan (Kalamazoo College, USA) Tan
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Audio Metering : Measurements, Standards and Practice
Eddy (audio consultant and lecturer based in Denmark; member o Brixen
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Alternative Scriptwriting : Contemporary Storytelling for the Screen
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Listening After Nature : Field Recording, Ecology, Critical Practice
Dr. Mark Peter (Associate Lecturer, University of the Arts, Lo Wright
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Invitation to Community Music Therapy
Brynjulf (The Grieg Academy, University of Bergen, Norway) Stige
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We Are Music: An Existential Journey Toward Infinity
John Stephen (Lasalle College Of The Arts, S'pore & John Sha Sharpley
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Judicial Uses of Images : Vision in Decision
Prof Peter (Professor of Law and Director of the Programme i Goodrich
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We Are Music: An Existential Journey Toward Infinity
John Stephen (Lasalle College Of The Arts, S'pore & John Sha Sharpley
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The Drive-In : Outdoor Cinema in 1950s America and the Popular Imagination
Barefoot Guy Barefoot
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The Drive-In : Outdoor Cinema in 1950s America and the Popular Imagination
Barefoot Guy Barefoot
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The Drive-In : Outdoor Cinema in 1950s America and the Popular Imagination
Dr Guy (University of Leicester, UK) Barefoot
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Songs of Discovery for Music Therapy : A Practical Resource for Therapists and Educators
The Center for Discovery®
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John Sullivan Dwight : The Life and Writings of Boston's Musical Transcendentalist
Bill F. (Director of Development at the Center of the Arts, D Faucett
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The Gospel of The Hold Steady : How a Resurrection Really Feels
Michael Hann
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