The Stagecraft of Aeschylus : The Dramatic Use of Exits and Entrances in Greek Tragedy
Oliver (University Lecturer in Greek and Latin Literature at O Taplin
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Theatre Censorship : From Walpole to Wilson
David (, Professor Emeritus, University of Warwick) Thomas
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Turn-taking in Shakespeare
Oliver (Leverhulme Early Career Fellow, Maitre-assistant in ea Morgan
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Aerial Environments on the Early Modern Stage : Theatres of the Air, 1576-1609
Chloe Kathleen (Senior Lecturer in Shakespeare and Renaissance Preedy
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Performing Epic or Telling Tales
Fiona M. (Professor of Classical Reception, Director of the Macintosh
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£71.00
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Beyond Broadway : The Pleasure and Promise of Musical Theatre Across America
Professor Stacy (Professor, Program in Theater & Director, Princ Wolf
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Character Costume Figure Drawing : Step-by-Step Drawing Methods for Theatre Costume Designers
Tan (Tenured Associate Professor in Costume and Makeup Desi Huaixiang
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£150.00
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Costume Craftwork on a Budget : Clothing, 3-D Makeup, Wigs, Millinery & Accessories
Tan (Tenured Associate Professor in Costume and Makeup Desi Huaixiang
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The Contemporary American Monologue : Performance and Politics
Eddie (Lecturer in the School of Culture and Communication, Paterson
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Stages of Loss : The English Comedians and their Reception
George (Research Associate, Faculty of English and Cen Oppitz-Trotman
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£89.00
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Valuing Dance : Commodities and Gifts in Motion
Susan Leigh (Distinguished Professor in the Department of Worl Foster
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Samuel Beckett's Theatre : Life-Journeys
Katharine (Emeritus Professor of Drama and Theatre Studies in t Worth
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Between Jerusalem and Athens : Israeli Theatre and the Classical Tradition
Nurit (Professor of Theatre Studies in the Department of Theatr Yaari
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£137.50
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Gestural Imaginaries : Dance and Cultural Theory in the Early Twentieth Century
Lucia (Fellow of Emmanuel College and an affiliated Lecturer Ruprecht
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Acting in British Television
Dr Tom (Senior Lecturer in Television Theory, University of Cantrell
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British Musical Theatre since 1950
Robert (Professor of Theatre and Performance at Goldsmiths, Un Gordon
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