A Syncretistic Theory of Depiction
A. Voltolini
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Intermedial Shakespeares on European Stages
A. Mancewicz
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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Confronting Visuality in Multi-Ethnic Women’s Writing
A. Laflen
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Authoring Performance : The Director in Contemporary Theatre
A. Sidiropoulou
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Representing Scotland in Literature, Popular Culture and Iconography : The Masks of the Modern Nation
A. Riach
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Appropriation as Practice : Art and Identity in Argentina
A. Schneider
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After the Dresden Bombing : Pathways of Memory, 1945 to the Present
A. Fuchs
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Avant-Garde Theatre Sound : Staging Sonic Modernity
A. Curtin
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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Interfacing with the Internet in Popular Cinema
A. Tucker
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Confronting Visuality in Multi-Ethnic Women’s Writing
A. Laflen
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Appropriation as Practice : Art and Identity in Argentina
A. Schneider
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Representing Scotland in Literature, Popular Culture and Iconography : The Masks of the Modern Nation
A. Riach
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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A Williams SELECTED WORKS : Selected Works
A Williams
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a la Fra?che ! Qui Veut Boire ? Ou Une Promenade Du Vieux Conteur: Vaudeville Anecdotique : En Un Acte
Giraud-A
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