Hello, Photography : Aperture 210 Paperback / softback

Edited by Aperture

Part of the Aperture Magazine series

Paperback / softback

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Description

This edition of Aperture relaunches the magazine under the title â€œHello, Photography,â€ a playful nod to Daido Moriyamaâ€™s seminal project Bye, Bye Photography.

Now divided into two distinct sections, â€œWordsâ€ and â€œPictures,â€ the issue offers a broad sweep of key issues for photography today. The new â€œWordsâ€ section brings readers the sharpest ideas on photography: Charlotte Cotton asks if institutions are stifling innovation; Geoffrey Batchen teases out what social media means for photography; Arthur Ou confronts the challenges of photographic education; and Robin Kesley investigates the key questions driving new scholarship today.

Conversations round out this issueâ€™s â€œWordsâ€ with Jeff Wall and Lucas Blalock, Mark Westmoreland and Akram Zaatari, and Virginia Rutledge and Penelope Umbrico. â€œPicturesâ€ is the magazineâ€™s superbly printed new visual showcase.

Featured for Spring are portfolios from the Gary Winogrand Archive, with curator Leo Rubinfien explaining his new edit to photographer Philip-Lorca diCorcia; Jason Evans' street photography; Eva Respini introducing Michele Abeles; new work by Adam Broomberg and Oliver Chanarin; a dispatch from Magnumâ€™s latest road trip with Alec Soth, Zoe Strauss, Jim Goldberg and Mikhael Subotzky; an introduction to Christopher Williams by Matthew Witkovsky; Andrew Norman Wilsonâ€™s project on Google Books; James Welling speaks with Phil Chang; and more.

Accessible new columns include The Collectors (with writing by novelists Sam Lipsyte, Teju Cole, Sheila Heti and Heidi Julavtis); Dispatches (Jason Fulford walks readers through San Franciscoâ€™s photo scene); and Redux (David Campany on a lost book by Victor Burgin).