Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Mimetic Theory and Film, PDF eBook

Mimetic Theory and Film PDF

Edited by Bubbio Paolo Diego Bubbio, Fleming Chris Fleming

Part of the Violence, Desire, and the Sacred series

PDF

Please note: eBooks can only be purchased with a UK issued credit card and all our eBooks (ePub and PDF) are DRM protected.

Description

The interdisciplinary French-American thinker Rene Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of Rene Girard's first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et verite romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l'art, Girard asserted that the novel may be an "outmoded" form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of verite filmique?

In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable "Girardian aesthetics." One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a "Girardian aesthetic"? Each of the contributors addresses these questions through the analysis of a film.

Information

Information