Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

The American Photo-Text, 1930-1960, EPUB eBook

The American Photo-Text, 1930-1960 EPUB

Part of the Critical Insights in American Studies series

EPUB

Please note: eBooks can only be purchased with a UK issued credit card and all our eBooks (ePub and PDF) are DRM protected.

Description

Focuses on the intersections between text and photography in the twentieth-century American photo-text

This critical study of the American photo-text focuses on the interaction between text and images in twentieth-century American photography as well as the discourse surrounding image-text collaboration on a wider level. In looking at books designed as collaborative efforts between writers and photographers and by photographer/writers adding their own narrative text, it establishes the photo-text as a genre related to and yet distinct from other documentary efforts.

Ranging from documentary studies in the 1930s to post-war examinations of the American landscape, urban and rural, from Dorothea Lange’s photographs of dispossessed migrants in American Exodus (1939), Weegee’s small time hoodlums on the streets of New York in Naked City (1945), to Robert Frank’s Cold War landscapes, this survey constitutes an invaluable entry into how we read the politics of twentieth-century American photography.

Key Features

  • Explores through a series of case studies some of the seminal photo-texts of the 1930s, 40s and 50s from documentary realism of the Depression years to post-war studies of the American landscape
  • Examines photo-texts by Doris Ulmann, Walker Evans, James Agee, Dorothea Lange, Margaret Bourke White, Wright Morris, Paul Strand, Roy DeCarava and Robert Frank
  • Enables students and scholars of both American photography and literature to rethink the intersections between writing and photography in political as well as aesthetic terms
  • Situates the various case studies with reference to the political, social and economic developments of the period
  • Re-establishes the book form as particularly crucial for an understanding of American Documentary photography

Information

Other Formats

Information

Also in the Critical Insights in American Studies series  |  View all