Critical Race Theory and Copyright in American Dance : Whiteness as Status Property Hardback
The effort to win federal protection for dance in the United States was a racialized and gendered contest.
Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.
- Format: Hardback
- Pages: 243 pages, 6 Illustrations, black and white; XII, 243 p. 6 illus.
- Publisher: Palgrave Macmillan
- Publication Date: 07/11/2013
- Category: Dance
- ISBN: 9781137321961
- Paperback / softback from £57.69