Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Barrie Kosky on the Contemporary Australian Stage : Affect, Post-Tragedy, Emergency, Paperback / softback Book

Barrie Kosky on the Contemporary Australian Stage : Affect, Post-Tragedy, Emergency Paperback / softback

Part of the Routledge Advances in Theatre & Performance Studies series

Paperback / softback

Description

This is the first book-length study of Australian theatre productions by internationally-renowned director, Barrie Kosky.

Now a prolific opera director in Europe, Barrie Kosky on the Contemporary Australian Stage accounts for the formative years of Kosky's career in Australia.

This book provides in-depth engagements with select productions including The Dybbuk which Kosky directed with Gilgul theatre company in 1991, as well as King Lear (1998), The Lost Echo (2006), and Women of Troy (2008).

Using affect theory as a prism through which these works are analysed, the book accounts for the director's particular engagement with – and radical departure from – classical tragedy in contemporary performance: what the book defines as Kosky's 'post-tragedies'.

Theatre studies scholars and students, particularly those with interests in affect, contemporary performance, 'director's theatre', and tragedy, will benefit from Barrie Kosky on the Contemporary Australian Stage’s vivid engagement with Kosky's work: a director who has become a singular figure in opera and theatre of international critical acclaim.

Information

Other Formats

£38.99

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information

Also in the Routledge Advances in Theatre & Performance Studies series  |  View all