Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Dante’s Divine Comedy in Early Renaissance England : The Collision of Two Worlds, Paperback / softback Book

Dante’s Divine Comedy in Early Renaissance England : The Collision of Two Worlds Paperback / softback

Paperback / softback

Description

Dante's Divine Comedy in Early Renaissance England compares the intellectual, emotional, and religious world of Dante in 13th-century Florence with that of a group of English intellectuals gathered around Humphrey, Duke of Gloucester, uncle of the King, Henry VI.

Here, Jonathan Hughes establishes that there was a Renaissance in 15th-century England, encouraged by the discovery and translations of works of Greek philosophers and developments in science and medicine; and that vernacular writers in Gloucester’s circle, such as John Lydgate and Robert Hoccleve, were of fundamental importance in exploring the meaning of the self and man’s relationship with the natural world and the classical past.

However, the appearance in 15th-century England of Dante’s 'Commedia', the most popular work of the Middle Ages, served to remind writers and readers of the cost of intellectual enquiry: the loss of faith in a harmonious and beautiful world; the redemptive power of the love of a woman; and the tangible presence of an afterlife. Engagingly written and meticulously researched, this innovative study shines a new perspective on Dante scholarship as well as offering a unique anaylsis of intellectual thought and culture in 15th-century England.

Information

Save 15%

£23.99

£20.39

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information