Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Screenwriting Poetics and the Screen Idea, PDF eBook

Screenwriting Poetics and the Screen Idea PDF

Part of the Palgrave Studies in Screenwriting series

PDF

Please note: eBooks can only be purchased with a UK issued credit card and all our eBooks (ePub and PDF) are DRM protected.

Description

Screenwriting Poetics and the Screen Idea is a new and original investigation into how screenwriting works, showing how to understand, study and research screenwriting and screen narrative production.

It explores three facets - the practices, the creative 'poetics' and the texts - to re-conceptualise and join together our understanding of screenwriting and development.

These facets serve the 'screen idea', that sense of something that might become a film or television show, and the focus for the beliefs and received wisdom behind the poetics.

Macdonald applies a range of film, media and creative theories to the study and research of screenwriting, and includes three new, original case studies: story development in the successful ITV soap Emmerdale, the silent film work of Hitchcock's first major screenwriter Eliot Stannard, and David Lean's last, unfinished 'magnum opus', Nostromo.

Information

Other Formats

Information

Also in the Palgrave Studies in Screenwriting series  |  View all