Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Opera and Drama in Eighteenth-Century London : The King's Theatre, Garrick and the Business of Performance, PDF eBook

Opera and Drama in Eighteenth-Century London : The King's Theatre, Garrick and the Business of Performance PDF

PDF

Please note: eBooks can only be purchased with a UK issued credit card and all our eBooks (ePub and PDF) are DRM protected.

Description

In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London.

It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed.

Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, recruitment policy, the handling of singers and composers, links with Paris and Italy, and the role of women in opera management.

These key topics are also placed within the context of a personal dispute between two of the most important managers of the day, the woman writer Frances Brooke and the actor David Garrick, which influenced the running of the major venues, the King's Theatre, Drury Lane and Covent Garden.

Woodfield has also uncovered new information concerning the influential role of the eighteenth-century music historian and critic Charles Burney, as artistic advisor to the King's Theatre.

Information

Information