Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Impressionism, Hardback Book

Impressionism Hardback

Edited by Ingo F. Walther

Hardback

Description

Impressionism continues to be one of the most fascinating movements in the history of modern art.

It is also the most popular with the general public.

Proof of this has been provided in recent years by blockbuster exhibitions of the works of Degas, Gauguin, van Gogh, Renoir, Toulouse-Lautrec, and Monet, and by record sums realized from the sale of Impressionist paintings. Despite its popularity and a whole host of publications-the majority of them about the most famous names-many areas of Impressionism are still under-researched.

Many "second-rank" Impressionists have remained unknown or have sunk into oblivion.

This monograph fills the gap, as it explores French Impressionism alongside related art movements that flourished simultaneously in the rest of Europe and in North America. Part 1 deals with Impressionism in France, including Post- and Neo-Impressionism.

As well as discussing the most renowned artists, its aim is to introduce others who are still little-known today.

Among them are the long underrated Gustave Caillebotte, represented by 17 paintings, and artists such as Frederic Bazille, Marie Bracquemond, Henri-Edmond Cross, Jean-Louis Forain, Eva Gonzales, Armand Guillaumin, Albert Lebourg, Stanislas Lepine, Maximilien Luce, Berthe Morisot, Lucien Pissarro, Jean-Francois Raffaelli, Henri Rouart, and Victor Vignon. The eight chapters of part 2 focus on paintings inspired by French Impressionism and produced in parallel in the Netherlands, Belgium, Germany, Scandinavia, Eastern and South-Eastern Europe, Italy, Spain, Great Britain, the USA and Canada.

Rarely did painters in these countries slavishly copy the ideas emerging from France.

Instead, most non-French artists found astonishingly original ways of translating them into the artistic language of their native lands.

Information

Save 23%

£30.00

£22.99

Item not Available
 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information