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Against Voluptuous Bodies : Late Modernism and the Meaning of Painting, Paperback / softback Book

Against Voluptuous Bodies : Late Modernism and the Meaning of Painting Paperback / softback

Part of the Cultural Memory in the Present series

Paperback / softback

Description

The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W.

Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno.

It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine.

Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity.

Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.

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