Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Only Connect : Art and the Spectator in the Italian Renaissance, PDF eBook

Only Connect : Art and the Spectator in the Italian Renaissance PDF

Part of the The A. W. Mellon Lectures in the Fine Arts series

PDF

Please note: eBooks can only be purchased with a UK issued credit card and all our eBooks (ePub and PDF) are DRM protected.

Description

A leading art historian's plea for a more engaged reading of Italian Renaissance art

Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman's concern is mostly with anterior relationships with the viewer-that is, relationships conceived and constructed as part of a work's design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention.

Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.

Information

Other Formats

Information