Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Supporting your high street Find out how »
Adapting Henry James to the Screen : Gender, Fiction, and Film, Paperback / softback Book

Adapting Henry James to the Screen : Gender, Fiction, and Film Paperback / softback

Paperback / softback

Available to Order - This title is available to order, with delivery expected within 2 weeks

Description

One of Henry James's main achievements as a novelist was his ability to demonstrate how the notions of "masculinity" and "femininity" are socially constructed, depending on a variety of contradictory factors: social, political, sexual, and economic.

His unique capacity to understand the ideological function of relationships often accepted as "natural" in late nineteenth century culture resulted in works of fiction that impress upon readers the oppressiveness inherent within them.

Most adaptations of literary classics, however, tend to be influenced by Hollywood conventions that tend to reinforce dominant notions of gender and heterosexual relations.

Adapting a novel for cinema or television is first and foremost a business enterprise, where the screenwriter has to take into account the wishes of conflicting interest groups: producers, stars, directors, and spectators. In Adapting Henry James to The Screen: Gender, Fiction and Film, author Laurence Raw suggests that most James adaptations have sought to shift attention away from the classical narrative to the spectator's interaction with that narrative.

Raw demonstrates that while several adaptations have critically engaged with the subject of gender relations, they have often ended up by reinforcing rather than questioning accepted norms.

Yet, there are instances where individual directors and/or screenwriters have bucked the trend and directly engaged with what people understand by 'masculine' and 'feminine' behavior, thus focusing on how the notions of 'masculinity' and 'femininity' are socially constructed, not only in the societies represented on screen, but in the spectators' world as well. This book shows how changing priorities affected the ways in which James's novels were translated to the screen, and how they examined the theme of gender relations.

Not only does this represent a new departure for adaptation studies (which hitherto has largely focused on issues of textual fidelity), but it is a particularly appropriate methodology for stu

Information

Save 2%

£72.00

£70.19

Available to Order - This title is available to order, with delivery expected within 2 weeks
Add to Basket
Sign in to add to wishlist
 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information