Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Ingmar Bergman at the Crossroads : Between Theory and Practice, Hardback Book

Ingmar Bergman at the Crossroads : Between Theory and Practice Hardback

Edited by Maaret (Stockholm University, Sweden) Koskinen, Louise (Stockholm University, Sweden) Wallenberg

Hardback

Description

This collection offers new and insightful perspectives on Ingmar Bergman’s work as a film and theatre director as well as writer of fiction.

Ingmar Bergman’s rich legacy as a film director and writer of classics such as The Seventh Seal, Scenes From a Marriage, and Fanny and Alexander has attracted scholars not only in film studies but also of literature, theater, gender, philosophy, religion, sociology, musicology, and more.

Less known, however, is Bergman from the perspective of production studies, including all the choices, practices, and routines involved in what goes on behind the scenes.

For instance, what about Bergman’s collaborations and conflicts with film producers?

What about his work with musicians at the opera, technicians in the television studio, and actors on the film set?

What about Bergman and MeToo? In order to throw light on these issues, art practitioners such as film directors Ang Lee and Margarethe von Trotta, film and opera director Atom Egoyan, and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston, musicologist Alexis Luko, and playwright and performance studies scholar Allan Havis to discuss Bergman’s work from their unique perspectives.

In addition, Ingmar Bergman at the Crossroads provides, for the first time, in-depth interviews with Bergman’s longtime collaborators Katinka Faragó and Måns Reuterswärd, who both have first-hand experience of working intimately as producers in film and television with Bergman, covering more than 5 decades.

In an open exchange between individual and institutional perspectives, this book bridges the often-rigid boundaries between theoreticians and practitioners, in turn pointing Bergman's studies in new directions.

Information

£90.00

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information