Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis, PDF eBook

John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis PDF

Part of the Ashgate Studies in Theory and Analysis of Music After 1900 series

PDF

Please note: eBooks can only be purchased with a UK issued credit card and all our eBooks (ePub and PDF) are DRM protected.

Description

This book is the first study of John Zorn’s ‘file card’ works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010).

It explains the unique creative process behind these compositions, contextualizing them in relation to the history of file cards, the ‘open work’ concept, cinematic listening, and uncreative aesthetics.

Semiotic, hermeneutic, and ekphrastic analyses draw hypertextual links between the four file card compositions and the worlds of their respective dedicatees: author Mickey Spillane, filmmaker Jean-Luc Godard, novelist William S.

Burroughs and painter Brion Gysin, and psychiatrist C.

G. Jung. This book will appeal not only to those interested in Zorn’s music, but also to scholars of music semiotics and hermeneutics, intermedia studies, and avant-garde music.

Information

Other Formats

Information

Also in the Ashgate Studies in Theory and Analysis of Music After 1900 series  |  View all