Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Walter Ruttmann and the Cinema of Multiplicity : Avant-Garde Film - Advertising - Modernity, Hardback Book

Walter Ruttmann and the Cinema of Multiplicity : Avant-Garde Film - Advertising - Modernity Hardback

Part of the Film Culture in Transition series

Hardback

Description

A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City.

Yet even as he was making experimental films, Ruttmann had a day job.

He worked regularly in advertising -and he would go on to make industrial films, medical films, and even Nazi propaganda films. Michael Cowan offers here the first study of Ruttmann in English, not only shedding light on his commercial, industrial, and propaganda work, but also rethinking his significance in light of recent transformations in film studies.

Cowan brilliantly teases out the linkages between the avant-garde and industrial society in the early twentieth century, showing how Ruttmann's films incorporated and enacted strategies for managing the multiplicities of mass society. This book has won the Willy Haas Award 2014 for its outstanding contribution to the study of German cinema.

Information

Information