Les sources du plain-chant et de la musique medievale Paperback / softback

by MICHEL HUGLO

Part of the Variorum Collected Studies series

Paperback / softback

Out of stock

Description

The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States.

This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of CompiÃ¨gne, the first troper-prosers, and of alleluia lists as clues to place of origin.

The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, the utility of codicology for musicological manuscript studies, and the critical edition of the Gregorian antiphoner are addressed in other studies included here. Les origines et le dÃ©veloppement du plain-chant en Occident et l'Ã©tude des genres de livres liturgiques qui le contiennent ont occupÃ© Michel Huglo durant sa longue carriÃ¨re et l'ont conduit ÃƒÂ visiter des bibliothÃ¨ques partout en Europe et aux Etats-Unis.

Ce volume, le premier d'une sÃ©rie de quatre dans la collection Variorum, comprend des analyses de manuscrits du neuviÃ¨me au treiziÃ¨me siÃ¨cle, notamment des Ã©tudes novatrices relanÃƒÂ§ant les recherches sur l'antiphonaire de CompiÃ¨gne, les premiers tropaires-prosaires et les listes d'alleluias comme moyen d'identification des manuscrits de chant.

Les consÃ©quences du traitÃ© de Verdun (843) pour la diffusion du rÃ©pertoire de plain-chant, les recherches en musicologie mÃ©diÃ©vale au XXe siÃ¨cle, l'application des mÃ©thodes de la codicologie ÃƒÂ l'Ã©tude des manuscrits notÃ©s, et l'Ã©dition critique de l'Antiphonaire grÃ©gorien forment les sujets d'autres Ã©tudes rÃ©unies dans ce volume.