Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

The Musician as Interpreter, Hardback Book

The Musician as Interpreter Hardback

Part of the Studies of the Greater Philadelphia Philosophy Consortium series

Hardback

Description

Among the many practices in which musicians engage are several that may be viewed as modes of interpretation, a kind of interpretation that Paul Thom calls "performative" to contrast it with another kind he calls "critical." The difference is that the latter discusses a musical work; the former presents or enacts it.

This book aims at making the case for understanding these activities of transcribing, varying, and realizing music as all forms of interpretation and, indeed, for seeing performative interpretation overall as a paradigm of what interpretation is.

Thom devotes a chapter to each of the three types and, to make his philosophical points musically concrete, provides a wealth of illustrations ranging from classical music to jazz and involving performers as diverse as Toscanini and Billie Holiday.

Information

Save 4%

£37.95

£36.15

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information