The Dying Animal, Paperback Book
4.5 out of 5 (2 ratings)

Description

'This is a vicious, furious book, unapologetically not of this age - it is also horribly funny and unflinchingly honest' New StatesmanDavid Kepesh, white-haired, and now in his sixties, is an eminent cultural critic on NPR radio and a formidable lecturer at a New York college.

For years he's been casually, almost habitually, sleeping with the more spirited of his female students, though with an aesthete's critical distance.

But now he's met Consuela Castillo, a twenty-four-year-old Cuban student of such head-turning beauty, that Kapesh finds himself dragged helplessly into a quagmire of sexual jealousy and loss. The Dying Animal is a virtuoso performance from Philip Roth, following Kapesh through the tumult of erotic lust and the search for freedom, shackled by a mortal human body.

Information

Other Formats

£8.99

£6.65

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Reviews

Showing 1 - 2 of 2 reviews.

Review by
5

His best so far. Extremely cool and sexual. Plus Zuleika read it and we had long hours of talk afterward.

Review by
4

There's a lot of power in this story. At first I marvelled at the authors ability to weave the narrative so well. The next thing I knew I was doubled over bawling.<br/><br/>I suppose the book is at once a character study and a commentary on the evolution of western culture; both intermingle flawlessly. But mostly, it spoke to me of the inevitability of death. The main character ignores the reality and responsibility of his own mortal prison, but all that does is illuminate Consuela's story. It is in that light, her light, that we make out the shape of the animal that is David.<br/><br/>When was it that I too began to think of age in terms of how much time I had left, rather than how long I'd been alive?<br/><br/>I'd rate this five stars if it weren't for the nagging sense that the author had it in him to tighten up the narrative, pull out some of the historical musings, and focus the inner monologue. For whatever reason, he tied things up a little too loosely. Still, be careful. Don't ever underestimate Roth.

Also by Philip Roth   |  View all