Creative Entanglements : Gadda and the Baroque Hardback
by Robert S Dombroski
Part of the Toronto Italian Studies series
Hardback
Description
In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality.
In Creative Entanglements Robert Dombroski critically examines the nature of that reality.
A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form.
Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context.
Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality.
Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge.
Information
-
Available to Order - This title is available to order, with delivery expected within 2 weeks
- Format:Hardback
- Pages:192 pages
- Publisher:University of Toronto Press
- Publication Date:04/09/1999
- Category:
- ISBN:9780802044907
Other Formats
- PDF from £52.70
Information
-
Available to Order - This title is available to order, with delivery expected within 2 weeks
- Format:Hardback
- Pages:192 pages
- Publisher:University of Toronto Press
- Publication Date:04/09/1999
- Category:
- ISBN:9780802044907