Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Indian Classical Music and the Gramophone, 1900-1930, Paperback / softback Book

Indian Classical Music and the Gramophone, 1900-1930 Paperback / softback

Part of the SEMPRE Studies in The Psychology of Music series

Paperback / softback

Description

In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds.

All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology.

Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively.

Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers.

They were to become pioneers of the music industry in the Indian sub-continent.

However, despite the pioneering role played by these women, their stories have largely been forgotten.

Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes.

A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music.

This resulted in the standardization, universalization, and institutionalization of Indian classical music.

This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles.

Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens.

The book features the indefatigable stories of the women and their experiences in adapting to recording technology.

The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.

Information

Other Formats

£39.99

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information

Also in the SEMPRE Studies in The Psychology of Music series  |  View all