Stories of Art
James (School of the Art Institute of Chicago, USA) Elkins
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Milestones in African Literature
Toyin (The University of Texas at Austin, USA) Falola
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Museum Worthy : Nazi Art Plunder in Postwar Western Europe
Elizabeth (Professor of History and Director of the Center f Campbell
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Power, Image, and Memory : Historical Subjects in Art
Peter J. (Professor Emeritus of the History of Art and Class Holliday
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Creating the Perfect Form : How to Interpret and Display Historic Dress
Janet (Consultant, specialising in the conservation and display Wood
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The Geography of Taste
Dominic McIver (Fellow of the Royal Society of Canada and Unive Lopes
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Let's Talk about Critique : Reimagining Art and Design Education
Elissa Armstrong
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Add to BasketSecrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Add to BasketThe Philosophy of Mannerism : From Aesthetics to Modal Metaphysics
Sjoerd (Erasmus University, the Netherlands) van Tuinen
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Images of Childhood : A Visual History From Stone to Screen
Professor Emeritus Paul (University of Illinois, USA, and Univ Duncum
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Add to BasketThe Turn to Provisionality in Contemporary Art : Negative Work
Raphael (University of Houston, USA) Rubinstein
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Creative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas (Norwegian Academy of Music, Oslo) Sonning
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Add to BasketMaking Health Public : How News Coverage Is Remaking Media, Medicine, and Contemporary Life
Charles L. (University of California-Berkeley, USA) Briggs
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A Philosophy of Visual Metaphor in Contemporary Art
Dr Mark Staff (Art Academy of Liechtenstein and Higher Profess Brandl
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Social Capacity Building through Applied Theatre : Developing Imagination, Emotional and Reflective Skills in the Human Services
Au (Hong Kong Drama/Theatre and Education Forum) Yi-Man
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Add to BasketArt in Theory 1815-1900 : An Anthology of Changing Ideas
Charles (Open University) Harrison
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Add to BasketWhy We Make Art : And Why it is Taught
Richard (University of Cambridge, UK) Hickman
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Add to BasketThe New Art History : A Critical Introduction
Jonathan (Universiity for the Creative Arts, UK) Harris
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Add to BasketThe Gothic
David (University of Bristol) Punter
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Add to BasketBeyond Objecthood : The Exhibition as a Critical Form since 1968
James (Dean of Fine Arts, California College of the Arts) Voorhies
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Uses of Heritage
Laurajane (The University of York, UK) Smith
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Melodies of the Mind : Connections between psychoanalysis and music
Julie (Graduate of The Juilliard School, New York, USA; Jaffee Nagel
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